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Koshi-Waza Beginner Nage-Waza

O-Goshi

大腰

"Major Hip Throw"

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Quick Facts

Category
Nage-Waza
Subcategory
Koshi-Waza
Difficulty
Beginner
Belt Level
6th kyu, 5th kyu
Overview

O-Goshi is the foundational hip throw of judo and one of the first techniques taught to beginners worldwide. Tori wraps their arm around uke's waist, pivots to place their hip in front of uke's hips, and uses the hip as a fulcrum to lever uke over and to the mat. It teaches the essential mechanics of koshi-waza: entry, hip placement, and leverage.

Video Demonstrations
大腰 / O-goshi — judo technique demonstration
大腰 / O-goshi KODOKAN
O-goshi - Basic principles — judo technique demonstration
O-goshi - Basic principles Efficient Judo
Quick Tips to Speed Up Your Ogoshi — judo technique demonstration
Quick Tips to Speed Up Your Ogoshi Shintaro Higashi
Top 10 O-Goshi / Tsuri-Goshi Compilation Highlights | 大腰 — judo technique demonstration
Top 10 O-Goshi / Tsuri-Goshi Compilation Highlights | 大腰 Judo Spirit
How to Execute

O-Goshi — Step by Step

KuzushiOff-balance

Pull uke forward and slightly upward with your sleeve grip, breaking their balance to their right front corner. Raise their arm upward to tilt their body and get them rising onto their toes.

TsukuriEntry

Step your right foot in front of and just inside uke's right foot, then pivot on it to bring your left foot around so your back faces uke's front. As you enter, wrap your right arm firmly around uke's waist. Your right hip must be positioned in front of and against uke's right hip — the contact point is critical.

KakeExecution

Bend forward at the waist, pulling uke's sleeve arm sharply downward while keeping the waist arm grip firm. Your hip acts as the fulcrum — uke's weight pivots over it. Straighten your legs simultaneously to assist loading uke's weight onto your hip. Uke is projected forward to the mat.

  1. 1

    Pull uke forward to break balance (kuzushi)

    Use your sleeve grip to pull uke's arm upward and toward their right front corner. Your lapel hand lifts. Uke should lean onto their toes.

  2. 2

    Step your right foot in with toes pointed forward

    Step your right foot in front of and just inside uke's right foot. Your toes point in the same direction as uke's.

  3. 3

    Pivot and wrap the waist

    Pivot on your right foot and swing your left foot around to complete the body turn. Simultaneously slide your right arm around uke's waist and grip firmly. Your back must be against uke's chest.

  4. 4

    Position your hip as the fulcrum

    Your right hip should press firmly into uke's lower abdomen/hip area. Bend your knees slightly so your hip level is lower than uke's hip, then straighten them to load uke's weight onto your hip.

  5. 5

    Project uke over the hip

    Bend forward at the waist while pulling uke's sleeve arm sharply downward. Uke's body pivots over your hip and they land on the mat in front of you.

Key Principles

What Makes It Work

  • The hip contact must be firm and direct — your hip against uke's hip is the lever. Any gap reduces effectiveness.
  • Waist arm grip: wrap deeply around uke's midsection, not just touching their back.
  • Bend forward during kake to complete the lever action — remaining upright blocks the rotation.
  • O-Goshi teaches the template for all koshi-waza: enter, place hip below uke's hip, load, project.
Common Mistakes

What to Avoid

#1 Common Mistake

Hip placed too low (around uke's thighs)

Your hip should contact uke at their hip level. Too low and you cannot lever them; too high and they simply step over you.

#2 Common Mistake

Not bending forward during kake

The throw requires you to bow forward. If you stay upright, uke simply gets lifted — not thrown.

#3 Common Mistake

Waist arm grip too loose

Pull uke tightly into your back. A loose waist grip allows uke to create space and escape the throw.

#4 Common Mistake

Feet too close together during entry

Your feet should be roughly shoulder-width apart after the pivot. Too narrow and you have no base; too wide and you cannot generate hip drive.

When to Use

Best Moments to Apply O-Goshi

O-Goshi is most effective against shorter or same-height opponents where hip-level leverage is accessible. It is a foundational learning throw — at competitive levels it is often replaced by Harai-Goshi or Uchi-Mata, which require less full-body contact. However, O-Goshi remains valid as a combination element and against ukes with an upright, rigid posture.

Combinations

Combination Sequences

FAQ

Frequently Asked Questions

What belt level is O-Goshi taught at?
O-Goshi is typically the first hip throw taught in judo, usually at 6th kyu (white belt) or 5th kyu (yellow belt). It establishes the mechanics all koshi-waza techniques build upon.
What is the difference between O-Goshi and Harai-Goshi?
O-Goshi uses a waist wrap and a stationary hip as a fulcrum. Harai-Goshi uses a lapel grip throughout and adds a sweeping leg action during kake. Harai-Goshi is generally more powerful and is preferred at higher levels.
Is O-Goshi effective in competition?
O-Goshi is less common in high-level competition because the waist wrap is difficult to establish against defensive gripping. It remains highly effective in randori and recreational judo, and as a teaching foundation for more advanced hip throws.